Tuesday, December 4, 2007

THE MIST... Chapter and Reverse

Y'know, I found a way to bump THE MIST up to a 100% in the personal satisfaction ranking... in that if you approach THE MIST in a Ms. Carmody kind of headspace, the ending of the film actually makes a whole lot more sense, and doesn't feel like just a cheap shot on Darabont's part.

Just get all Old Testament on its ass.

Of course, this also needs to take into account that the God of the Old Testament seemed to have a weird sense of humor, and didn't exactly come across as logical to begin with; what with such things as demanding that Abraham sacrifice his son to prove how faithful the man was, and that whole bet with Satan over how much grief Job would put up with.

And He seemed to like throwing plagues around just for the hell of it. Among other things.

So taking as fact (well, within the context of the film) that a vengeful God truly exists, that He has allowed man to inadvertently unleash the End of Days and annoited Ms. Carmody His small town messiah. Remember how that bug crawls up her blouse, looks her in the eyes and then flies off?

What if Carmody wasn't actually crazy... say, any crazier than the firey-eyed biblical prophets from the days when Giants walked the Earth and plagues descended on a vengeful God's whim?

That after offering up the young soldier as a blood sacrifice, the supermarket then lies in a state of grace... until another sacrifice is required?

But by martyring the Voice of God and leaving the supermarket, in his hubris Drayton incurs the displeasure of that vengeful God. Sort of an Abraham that sacrifices Issac because God just decides to allow the angels arrive too late.

And as the Army rolls by in the end, no one goes to him, acknowledges him except for the mother (that he refused to play The Samaritan to) who in passing looks down at him accusingly... as if she sees into his heart and senses the betrayal he has wrought. And as the sole remaining infidel, he has become an Outcast.

Um. Of course, that would make God the Antagonist of the piece. Whoops.

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